{"id":995,"date":"2025-01-31T10:18:11","date_gmt":"2025-01-31T09:18:11","guid":{"rendered":"https:\/\/arminzoghi.com\/?page_id=995"},"modified":"2025-04-02T09:18:50","modified_gmt":"2025-04-02T07:18:50","slug":"rah-ro","status":"publish","type":"page","link":"https:\/\/arminzoghi.com\/index.php\/rah-ro\/","title":{"rendered":"Rah-Ro"},"content":{"rendered":"\n


Une fois face \u00e0 ce couloir, on aper\u00e7oit une petite pi\u00e8ce plong\u00e9e dans l’obscurit\u00e9, situ\u00e9e au bout du passage. Apr\u00e8s l’avoir travers\u00e9, trois images apparaissent : Un homme s’\u00e9loigne dans diff\u00e9rents paysages.

\u201cRAH-RO\u201d. 2008, Installation vid\u00e9o, 8m x 8m, (bois, m\u00e9tal, P.V.C, d\u00e9tecteurs, vid\u00e9o projecteur)<\/em><\/p>\n\n\n\n\n\n\n \n \n Responsive Image Gallery<\/title>\n <!-- Slick CSS -->\n <link rel=\"stylesheet\" type=\"text\/css\" href=\"https:\/\/cdnjs.cloudflare.com\/ajax\/libs\/slick-carousel\/1.8.1\/slick.min.css\"\/>\n <link rel=\"stylesheet\" type=\"text\/css\" href=\"https:\/\/cdnjs.cloudflare.com\/ajax\/libs\/slick-carousel\/1.8.1\/slick-theme.min.css\"\/>\n <style>\n .image-gallery-container {\n max-width: 80%; \/* D\u00e9finir la largeur \u00e0 80% *\/\n margin-left: 0; \/* D\u00e9finir la marge gauche \u00e0 0 *\/\n margin-right: auto; \/* Centrer horizontalement en fixant la marge droite \u00e0 auto *\/\n overflow: hidden; \/* Pour \u00e9viter le d\u00e9bordement des \u00e9l\u00e9ments enfants *\/\n }\n .image-gallery {\n max-width: 60%;\n margin-left: 0; \/* D\u00e9finir la marge gauche \u00e0 0 *\/\n margin-right: auto; \/* Centrer horizontalement en fixant la marge droite \u00e0 auto *\/\n overflow: hidden; \/* Pour \u00e9viter le d\u00e9bordement des \u00e9l\u00e9ments enfants *\/\n }\n .image-gallery img {\n width: 100%;\n height: auto;\n display: block;\n position: relative;\n }\n .slick-prev, .slick-next {\n width: 20px;\n height: 20px;\n z-index: 2;\n position: absolute;\n top: 50%;\n transform: translateY(-50%);\n }\n .slick-prev:before, .slick-next:before {\n display: none; \/* Cacher les fl\u00e8ches par d\u00e9faut *\/\n }\n .slick-prev {\n left: 10px;\n border: solid grey;\n border-width: 0 3px 3px 0;\n display: inline-block;\n padding: 5px;\n transform: rotate(135deg);\n -webkit-transform: rotate(135deg);\n }\n .slick-next {\n right: 10px;\n border: solid grey;\n border-width: 0 3px 3px 0;\n display: inline-block;\n padding: 5px;\n transform: rotate(-45deg);\n -webkit-transform: rotate(-45deg);\n \n }\n <\/style>\n<\/head>\n<body>\n <div class=\"image-gallery-container\">\n <div class=\"image-gallery slick\">\n <div><img decoding=\"async\" src=\"https:\/\/arminzoghi.com\/wp-content\/uploads\/2025\/02\/Rah-Ro-01.jpg\" alt=\"Image 1\"><\/div>\n <div><img decoding=\"async\" src=\"https:\/\/arminzoghi.com\/wp-content\/uploads\/2025\/02\/Rah-Ro-02.jpg\" alt=\"Image 2\"><\/div>\n <div><img decoding=\"async\" src=\"https:\/\/arminzoghi.com\/wp-content\/uploads\/2025\/02\/Rah-Ro-03.jpg\" alt=\"Image 3\"><\/div>\n <div><img decoding=\"async\" src=\"https:\/\/arminzoghi.com\/wp-content\/uploads\/2025\/02\/Rah-Ro-04.jpg\" alt=\"Image 4\"><\/div>\n <div><img decoding=\"async\" src=\"https:\/\/arminzoghi.com\/wp-content\/uploads\/2025\/02\/Rah-Ro-05.jpg\" alt=\"Image 5\"><\/div>\n <div><img decoding=\"async\" src=\"https:\/\/arminzoghi.com\/wp-content\/uploads\/2025\/02\/Rah-Ro-06.jpg\" alt=\"Image 6\"><\/div>\n \n <\/div>\n <\/div>\n\n <!-- jQuery -->\n <script src=\"https:\/\/code.jquery.com\/jquery-3.6.0.min.js\"><\/script>\n <!-- Slick JS -->\n <script type=\"text\/javascript\" src=\"https:\/\/cdnjs.cloudflare.com\/ajax\/libs\/slick-carousel\/1.8.1\/slick.min.js\"><\/script>\n <script type=\"text\/javascript\">\n $(document).ready(function(){\n $('.image-gallery.slick').slick({\n autoplay: true,\n autoplaySpeed: 5300,\n speed: 1000,\n arrows: true,\n dots: false\n });\n });\n <\/script>\n<\/body>\n<\/html>\n\n\n\n<p><br>Henri Bergson, dans sa th\u00e9orie du mouvement expos\u00e9e dans son ouvrage \u00ab\u00a0Mati\u00e8re et m\u00e9moire\u00a0\u00bb (1896), explore la nature du temps, de la conscience et du mouvement. Pour Bergson, le mouvement est essentiellement li\u00e9 \u00e0 la dur\u00e9e. Selon lui, le mouvement est une r\u00e9alit\u00e9 continue et dynamique, qui ne peut \u00eatre pleinement comprise que par l\u2019intuition.<br><\/p>\n\n\n\n<p>Mes \u00e9tudes universitaires en physique (que j\u2019ai abandonn\u00e9es apr\u00e8s deux ans) ne me permettaient pas de comprendre cette relation entre le temps et l\u2019espace bas\u00e9e sur l\u2019intuition. Mais je venais d\u2019arriver en France, et j\u2019appr\u00e9hendais mon nouvel environnement par mes d\u00e9placements dans la nature environnante. Cette exp\u00e9rience subjective a privil\u00e9gi\u00e9 l’intuition comme moyen de saisir la r\u00e9alit\u00e9 dynamique du mouvement et du changement.<br>Cette vid\u00e9o-installation, destin\u00e9e \u00e0 une seule personne \u00e0 la fois (inactive si plus d\u2019une personne entre dans l\u2019espace), tente de permettre d\u2019exp\u00e9rimenter ce lien entre le temps, la conscience et le mouvement.<\/p>\n\n\n\n<figure class=\"wp-block-embed is-type-video is-provider-vimeo wp-block-embed-vimeo wp-embed-aspect-4-3 wp-has-aspect-ratio\"><div class=\"wp-block-embed__wrapper\">\n<iframe title=\"Rah-Ro\" src=\"https:\/\/player.vimeo.com\/video\/1052960089?dnt=1&app_id=122963\" width=\"500\" height=\"375\" frameborder=\"0\" allow=\"autoplay; fullscreen; picture-in-picture; clipboard-write; encrypted-media\"><\/iframe>\n<\/div><\/figure>\n\n\n\n<figure class=\"wp-block-pullquote\"><blockquote><p><strong>remerciement<\/strong><br>Manfred Sternjakob<br>Anahita Hekmat<br>Mathilde Ehret-Zoghi<br><br><strong>Solutions techniques<\/strong><br>Interface-Z<\/p><\/blockquote><\/figure>\n","protected":false},"excerpt":{"rendered":"<p>Une fois face \u00e0 ce couloir, on aper\u00e7oit une petite pi\u00e8ce plong\u00e9e dans l’obscurit\u00e9, situ\u00e9e au bout du passage. Apr\u00e8s l’avoir travers\u00e9, trois images apparaissent : Un homme s’\u00e9loigne dans diff\u00e9rents paysages. \u201cRAH-RO\u201d. 2008, Installation vid\u00e9o, 8m x 8m, (bois, m\u00e9tal, P.V.C, d\u00e9tecteurs, vid\u00e9o projecteur) Responsive Image Gallery Henri Bergson, dans sa th\u00e9orie du mouvement […]<\/p>\n","protected":false},"author":1,"featured_media":0,"parent":0,"menu_order":0,"comment_status":"closed","ping_status":"closed","template":"","meta":{"footnotes":""},"class_list":["post-995","page","type-page","status-publish","hentry"],"_links":{"self":[{"href":"https:\/\/arminzoghi.com\/index.php\/wp-json\/wp\/v2\/pages\/995","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/arminzoghi.com\/index.php\/wp-json\/wp\/v2\/pages"}],"about":[{"href":"https:\/\/arminzoghi.com\/index.php\/wp-json\/wp\/v2\/types\/page"}],"author":[{"embeddable":true,"href":"https:\/\/arminzoghi.com\/index.php\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/arminzoghi.com\/index.php\/wp-json\/wp\/v2\/comments?post=995"}],"version-history":[{"count":15,"href":"https:\/\/arminzoghi.com\/index.php\/wp-json\/wp\/v2\/pages\/995\/revisions"}],"predecessor-version":[{"id":1249,"href":"https:\/\/arminzoghi.com\/index.php\/wp-json\/wp\/v2\/pages\/995\/revisions\/1249"}],"wp:attachment":[{"href":"https:\/\/arminzoghi.com\/index.php\/wp-json\/wp\/v2\/media?parent=995"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}