Responsive Image Gallery<\/title>\n \n <link rel=\"stylesheet\" type=\"text\/css\" href=\"https:\/\/cdnjs.cloudflare.com\/ajax\/libs\/slick-carousel\/1.8.1\/slick.min.css\"\/>\n <link rel=\"stylesheet\" type=\"text\/css\" href=\"https:\/\/cdnjs.cloudflare.com\/ajax\/libs\/slick-carousel\/1.8.1\/slick-theme.min.css\"\/>\n <style>\n .image-gallery-container {\n max-width: 100%; \/* D\u00e9finir la largeur \u00e0 80% *\/\n margin-left: 0; \/* D\u00e9finir la marge gauche \u00e0 0 *\/\n margin-right: auto; \/* Centrer horizontalement en fixant la marge droite \u00e0 auto *\/\n overflow: hidden; \/* Pour \u00e9viter le d\u00e9bordement des \u00e9l\u00e9ments enfants *\/\n }\n .image-gallery {\n max-width: 100%;\n margin-left: 0; \/* D\u00e9finir la marge gauche \u00e0 0 *\/\n margin-right: auto; \/* Centrer horizontalement en fixant la marge droite \u00e0 auto *\/\n overflow: hidden; \/* Pour \u00e9viter le d\u00e9bordement des \u00e9l\u00e9ments enfants *\/\n }\n .image-gallery img {\n width: 100%;\n height: auto;\n display: block;\n position: relative;\n }\n .slick-prev, .slick-next {\n width: 20px;\n height: 20px;\n z-index: 2;\n position: absolute;\n top: 50%;\n transform: translateY(-50%);\n }\n .slick-prev:before, .slick-next:before {\n display: none; \/* Cacher les fl\u00e8ches par d\u00e9faut *\/\n }\n .slick-prev {\n left: 10px;\n border: solid grey;\n border-width: 0 3px 3px 0;\n display: inline-block;\n padding: 5px;\n transform: rotate(135deg);\n -webkit-transform: rotate(135deg);\n }\n .slick-next {\n right: 10px;\n border: solid grey;\n border-width: 0 3px 3px 0;\n display: inline-block;\n padding: 5px;\n transform: rotate(-45deg);\n -webkit-transform: rotate(-45deg);\n \n }\n <\/style>\n<\/head>\n<body>\n <div class=\"image-gallery-container\">\n <div class=\"image-gallery slick\">\n <div><img decoding=\"async\" src=\"https:\/\/arminzoghi.com\/wp-content\/uploads\/2024\/06\/Musee-reserve.jpg\" alt=\"Image 1\"><\/div>\n <div><img decoding=\"async\" src=\"https:\/\/arminzoghi.com\/wp-content\/uploads\/2024\/06\/Reperage10.jpg\" alt=\"Image 2\"><\/div>\n <div><img decoding=\"async\" src=\"https:\/\/arminzoghi.com\/wp-content\/uploads\/2024\/06\/Reperage09.jpg\" alt=\"Image 3\"><\/div>\n <div><img decoding=\"async\" src=\"https:\/\/arminzoghi.com\/wp-content\/uploads\/2024\/06\/Negar-une-fiction-04.png\" alt=\"Image 4\"><\/div>\n <div><img decoding=\"async\" src=\"https:\/\/arminzoghi.com\/wp-content\/uploads\/2024\/06\/Negar-une-fiction-06.png\" alt=\"Image 6\"><\/div> \n <div><img decoding=\"async\" src=\"https:\/\/arminzoghi.com\/wp-content\/uploads\/2024\/06\/Negar-une-fiction-05.png\" alt=\"Image 5\"><\/div>\n \n \n <\/div>\n <\/div>\n\n \n <script src=\"https:\/\/code.jquery.com\/jquery-3.6.0.min.js\"><\/script>\n \n <script type=\"text\/javascript\" src=\"https:\/\/cdnjs.cloudflare.com\/ajax\/libs\/slick-carousel\/1.8.1\/slick.min.js\"><\/script>\n <script type=\"text\/javascript\">\n $(document).ready(function(){\n $('.image-gallery.slick').slick({\n autoplay: true,\n autoplaySpeed: 3000,\n speed: 1300,\n arrows: true,\n dots: false\n });\n });\n <\/script>\n<\/body>\n<\/html>\n\n\n\n<p>N\u00e9gar est un road-movie qui questionne l\u2019impact pour les individus, d\u2019un patrimoine culturel l\u00e9gu\u00e9. Il met en sc\u00e8ne l\u2019itin\u00e9raire d\u2019un retour au pays natal en interrogeant la cruelle binarit\u00e9 entre une inqui\u00e9tante \u00e9tranget\u00e9 et un sentiment d\u2019appartenance \u00e0 la culture iranienne. N\u00e9gar, exil\u00e9e depuis l\u2019\u00e2ge de deux ans, pr\u00e9pare une exposition sur le travail de son oncle, architecte moderniste, p\u00e8re des centres culturelles, peintre et fondateur de la plus grande collection d\u2019art contemporain au Moyen-Orient, lui-m\u00eame \u00e9migr\u00e9 de force depuis la r\u00e9volution islamique de 1979.<\/p>\n\n\n\n<div class=\"wp-block-media-text is-stacked-on-mobile is-vertically-aligned-bottom\"><figure class=\"wp-block-media-text__media\"><img fetchpriority=\"high\" decoding=\"async\" width=\"1024\" height=\"768\" src=\"https:\/\/arminzoghi.com\/wp-content\/uploads\/2024\/06\/Negar-une-fiction-10-1-1024x768.png\" alt=\"\" class=\"wp-image-761 size-full\" srcset=\"https:\/\/arminzoghi.com\/wp-content\/uploads\/2024\/06\/Negar-une-fiction-10-1-1024x768.png 1024w, https:\/\/arminzoghi.com\/wp-content\/uploads\/2024\/06\/Negar-une-fiction-10-1-300x225.png 300w, https:\/\/arminzoghi.com\/wp-content\/uploads\/2024\/06\/Negar-une-fiction-10-1-768x576.png 768w, https:\/\/arminzoghi.com\/wp-content\/uploads\/2024\/06\/Negar-une-fiction-10-1-1536x1152.png 1536w, https:\/\/arminzoghi.com\/wp-content\/uploads\/2024\/06\/Negar-une-fiction-10-1.png 1920w\" sizes=\"(max-width: 1024px) 100vw, 1024px\" \/><\/figure><div class=\"wp-block-media-text__content\">\nUne installation vid\u00e9o & un film\n\n\n\n<p class=\"has-text-align-left margin-right: 0px\">Le dispositif adopt\u00e9 dans l\u2019installation est celui d\u2019un d\u00e9coupage dans mes recherches pour d\u00e9velopper et \u00e9crire le sc\u00e9nario. \u00c9maill\u00e9 et sans cesse interrompu par des sc\u00e8nes documentaires qui font et feront bifurquer ce voyage dans un sens non lin\u00e9aire, permet une d\u00e9ambulation physique bas\u00e9e sur l\u2019itin\u00e9raire des recherches.<\/p>\n<\/div><\/div>\n\n\n\n<figure class=\"wp-block-embed is-type-video is-provider-vimeo wp-block-embed-vimeo wp-embed-aspect-16-9 wp-has-aspect-ratio\"><div class=\"wp-block-embed__wrapper\">\n<iframe title=\"Ne\u0301gar, une fiction.\" src=\"https:\/\/player.vimeo.com\/video\/769377376?dnt=1&app_id=122963\" width=\"500\" height=\"281\" frameborder=\"0\" allow=\"autoplay; fullscreen; picture-in-picture; clipboard-write; encrypted-media; web-share\" referrerpolicy=\"strict-origin-when-cross-origin\"><\/iframe>\n<\/div><\/figure>\n\n\n\n<figure class=\"wp-block-embed is-type-video is-provider-vimeo wp-block-embed-vimeo wp-embed-aspect-16-9 wp-has-aspect-ratio\"><div class=\"wp-block-embed__wrapper\">\n<iframe title=\"Ne\u0301gar, une fiction(2)\" src=\"https:\/\/player.vimeo.com\/video\/769385259?dnt=1&app_id=122963\" width=\"500\" height=\"281\" frameborder=\"0\" allow=\"autoplay; fullscreen; picture-in-picture; clipboard-write; encrypted-media; web-share\" referrerpolicy=\"strict-origin-when-cross-origin\"><\/iframe>\n<\/div><\/figure>\n\n\n\n<blockquote class=\"wp-block-quote has-text-align-right is-layout-flow wp-block-quote-is-layout-flow\">\n<p>io non sono pi\u00f9 felice, n\u00e9 di goderne n\u00e9 di soffrirne: <br>non sento pi\u00f9, davanti a me, tutta la vita\u2026 <\/p>\n<cite>Pier Paolo Pasolini <\/cite><\/blockquote>\n\n\n\n<p>Aujourd\u2019hui, le 26 octobre 2022, c\u2019est le quaranti\u00e8me jour de la mort de Mahsa Amini, jeune fille tu\u00e9e par la police de moeurs \u00e0 T\u00e9h\u00e9ran, celle qui a d\u00e9clench\u00e9 \u00ab Femme, Vie, Libert\u00e9 \u00bb. Cela fait quarante jours que la col\u00e8re est r\u00e9veill\u00e9e dans la soci\u00e9t\u00e9 iranienne, une population qui essaie de r\u00e9affirmer son identit\u00e9 apr\u00e8s avoir \u00e9t\u00e9 manipul\u00e9e depuis la r\u00e9volution de 1979. Ce mouvement a \u00e9t\u00e9 initi\u00e9 et lanc\u00e9 par les femmes – des journalistes, des militantes – puis accompagn\u00e9 par les hommes.<\/p>\n\n\n\n<p><strong>Le film change ainsi.<\/strong><\/p>\n\n\n\n<p>Il raconte l\u2019histoire d\u2019un homme qui donne sa voix \u00e0 une femme, cette femme veut commencer son voyage pour aller en Iran mais le mouvement \u00ab femme, vie, libert\u00e9 \u00bb \u00e9clate. Elle d\u00e9cide de continuer son voyage sans se rendre sur place. \u00ab N\u00e9gar, une fiction \u00bb \u00e9tait cens\u00e9 d\u2019\u00eatre un road-movie qui aurait questionn\u00e9 l\u2019impact pour les individus, d\u2019un patrimoine culturel transmis de gr\u00e9 ou de force. Aujourd\u2019hui il veut mettre en sc\u00e8ne l\u2019itin\u00e9raire d\u2019un impossible retour au pays natal.<\/p>\n\n\n\n<p>Le projet de film est abandonn\u00e9 par la production, pour le moment du moins.<\/p>\n\n\n\n<p><\/p>\n\n\n\n<figure class=\"wp-block-pullquote\"><blockquote><p><br><strong>L\u2019\u00e9quipe artistique et technique<\/strong><br><br><strong>Co-sc\u00e9naristes <\/strong>: Anna Cohen-Yanay, Mona Journo<br><strong>Devant la cam\u00e9ra<\/strong> : Shanti Masud, Laleh Seddigh,<br>N\u00e9gar Aalam, Kamran Diba,<br>Faryar Javaherian, M. Abbassi<br><strong>Image<\/strong> : Mohammad Reza Jahanpanah,<br>Guillaume Brault, Armin Zoghi, Aida Zoghi<br><strong>Son<\/strong> : Amirhossein Ghassemi<br><strong>Musique<\/strong> : Olivier Durteste<br><strong>Installation<\/strong> : Valery Fino, Camille Berthelin<br><strong>Productrice<\/strong> : Clarisse Tupin<br><strong>Coproduction<\/strong> : Pictanovo, Paraiso Production,<br>Espace Crois\u00e9, institut fran\u00e7ais et<br>la R\u00e9gion Hauts-de-France<\/p><\/blockquote><\/figure>\n\n\n\n<p><\/p>\n","protected":false},"excerpt":{"rendered":"<p>Responsive Image Gallery N\u00e9gar est un road-movie qui questionne l\u2019impact pour les individus, d\u2019un patrimoine culturel l\u00e9gu\u00e9. Il met en sc\u00e8ne l\u2019itin\u00e9raire d\u2019un retour au pays natal en interrogeant la cruelle binarit\u00e9 entre une inqui\u00e9tante \u00e9tranget\u00e9 et un sentiment d\u2019appartenance \u00e0 la culture iranienne. N\u00e9gar, exil\u00e9e depuis l\u2019\u00e2ge de deux ans, pr\u00e9pare une exposition sur […]<\/p>\n","protected":false},"author":1,"featured_media":0,"parent":0,"menu_order":0,"comment_status":"closed","ping_status":"closed","template":"","meta":{"footnotes":""},"class_list":["post-698","page","type-page","status-publish","hentry"],"_links":{"self":[{"href":"https:\/\/arminzoghi.com\/index.php\/wp-json\/wp\/v2\/pages\/698","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/arminzoghi.com\/index.php\/wp-json\/wp\/v2\/pages"}],"about":[{"href":"https:\/\/arminzoghi.com\/index.php\/wp-json\/wp\/v2\/types\/page"}],"author":[{"embeddable":true,"href":"https:\/\/arminzoghi.com\/index.php\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/arminzoghi.com\/index.php\/wp-json\/wp\/v2\/comments?post=698"}],"version-history":[{"count":62,"href":"https:\/\/arminzoghi.com\/index.php\/wp-json\/wp\/v2\/pages\/698\/revisions"}],"predecessor-version":[{"id":1253,"href":"https:\/\/arminzoghi.com\/index.php\/wp-json\/wp\/v2\/pages\/698\/revisions\/1253"}],"wp:attachment":[{"href":"https:\/\/arminzoghi.com\/index.php\/wp-json\/wp\/v2\/media?parent=698"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}

{"id":698,"date":"2024-06-07T12:18:16","date_gmt":"2024-06-07T10:18:16","guid":{"rendered":"https:\/\/arminzoghi.com\/?page_id=698"},"modified":"2025-09-15T16:58:04","modified_gmt":"2025-09-15T14:58:04","slug":"negar-une-fiction","status":"publish","type":"page","link":"https:\/\/arminzoghi.com\/index.php\/negar-une-fiction\/","title":{"rendered":"N\u00e9gar, une fiction."},"content":{"rendered":"\n\n\n\n \n \n Responsive Image Gallery<\/title>\n \n <link rel=\"stylesheet\" type=\"text\/css\" href=\"https:\/\/cdnjs.cloudflare.com\/ajax\/libs\/slick-carousel\/1.8.1\/slick.min.css\"\/>\n <link rel=\"stylesheet\" type=\"text\/css\" href=\"https:\/\/cdnjs.cloudflare.com\/ajax\/libs\/slick-carousel\/1.8.1\/slick-theme.min.css\"\/>\n <style>\n .image-gallery-container {\n max-width: 100%; \/* D\u00e9finir la largeur \u00e0 80% *\/\n margin-left: 0; \/* D\u00e9finir la marge gauche \u00e0 0 *\/\n margin-right: auto; \/* Centrer horizontalement en fixant la marge droite \u00e0 auto *\/\n overflow: hidden; \/* Pour \u00e9viter le d\u00e9bordement des \u00e9l\u00e9ments enfants *\/\n }\n .image-gallery {\n max-width: 100%;\n margin-left: 0; \/* D\u00e9finir la marge gauche \u00e0 0 *\/\n margin-right: auto; \/* Centrer horizontalement en fixant la marge droite \u00e0 auto *\/\n overflow: hidden; \/* Pour \u00e9viter le d\u00e9bordement des \u00e9l\u00e9ments enfants *\/\n }\n .image-gallery img {\n width: 100%;\n height: auto;\n display: block;\n position: relative;\n }\n .slick-prev, .slick-next {\n width: 20px;\n height: 20px;\n z-index: 2;\n position: absolute;\n top: 50%;\n transform: translateY(-50%);\n }\n .slick-prev:before, .slick-next:before {\n display: none; \/* Cacher les fl\u00e8ches par d\u00e9faut *\/\n }\n .slick-prev {\n left: 10px;\n border: solid grey;\n border-width: 0 3px 3px 0;\n display: inline-block;\n padding: 5px;\n transform: rotate(135deg);\n -webkit-transform: rotate(135deg);\n }\n .slick-next {\n right: 10px;\n border: solid grey;\n border-width: 0 3px 3px 0;\n display: inline-block;\n padding: 5px;\n transform: rotate(-45deg);\n -webkit-transform: rotate(-45deg);\n \n }\n <\/style>\n<\/head>\n<body>\n <div class=\"image-gallery-container\">\n <div class=\"image-gallery slick\">\n <div><img decoding=\"async\" src=\"https:\/\/arminzoghi.com\/wp-content\/uploads\/2024\/06\/Musee-reserve.jpg\" alt=\"Image 1\"><\/div>\n <div><img decoding=\"async\" src=\"https:\/\/arminzoghi.com\/wp-content\/uploads\/2024\/06\/Reperage10.jpg\" alt=\"Image 2\"><\/div>\n <div><img decoding=\"async\" src=\"https:\/\/arminzoghi.com\/wp-content\/uploads\/2024\/06\/Reperage09.jpg\" alt=\"Image 3\"><\/div>\n <div><img decoding=\"async\" src=\"https:\/\/arminzoghi.com\/wp-content\/uploads\/2024\/06\/Negar-une-fiction-04.png\" alt=\"Image 4\"><\/div>\n <div><img decoding=\"async\" src=\"https:\/\/arminzoghi.com\/wp-content\/uploads\/2024\/06\/Negar-une-fiction-06.png\" alt=\"Image 6\"><\/div> \n <div><img decoding=\"async\" src=\"https:\/\/arminzoghi.com\/wp-content\/uploads\/2024\/06\/Negar-une-fiction-05.png\" alt=\"Image 5\"><\/div>\n \n \n <\/div>\n <\/div>\n\n \n <script src=\"https:\/\/code.jquery.com\/jquery-3.6.0.min.js\"><\/script>\n \n <script type=\"text\/javascript\" src=\"https:\/\/cdnjs.cloudflare.com\/ajax\/libs\/slick-carousel\/1.8.1\/slick.min.js\"><\/script>\n <script type=\"text\/javascript\">\n $(document).ready(function(){\n $('.image-gallery.slick').slick({\n autoplay: true,\n autoplaySpeed: 3000,\n speed: 1300,\n arrows: true,\n dots: false\n });\n });\n <\/script>\n<\/body>\n<\/html>\n\n\n\n<p>N\u00e9gar est un road-movie qui questionne l\u2019impact pour les individus, d\u2019un patrimoine culturel l\u00e9gu\u00e9. Il met en sc\u00e8ne l\u2019itin\u00e9raire d\u2019un retour au pays natal en interrogeant la cruelle binarit\u00e9 entre une inqui\u00e9tante \u00e9tranget\u00e9 et un sentiment d\u2019appartenance \u00e0 la culture iranienne. N\u00e9gar, exil\u00e9e depuis l\u2019\u00e2ge de deux ans, pr\u00e9pare une exposition sur le travail de son oncle, architecte moderniste, p\u00e8re des centres culturelles, peintre et fondateur de la plus grande collection d\u2019art contemporain au Moyen-Orient, lui-m\u00eame \u00e9migr\u00e9 de force depuis la r\u00e9volution islamique de 1979.<\/p>\n\n\n\n<div class=\"wp-block-media-text is-stacked-on-mobile is-vertically-aligned-bottom\"><figure class=\"wp-block-media-text__media\"><img fetchpriority=\"high\" decoding=\"async\" width=\"1024\" height=\"768\" src=\"https:\/\/arminzoghi.com\/wp-content\/uploads\/2024\/06\/Negar-une-fiction-10-1-1024x768.png\" alt=\"\" class=\"wp-image-761 size-full\" srcset=\"https:\/\/arminzoghi.com\/wp-content\/uploads\/2024\/06\/Negar-une-fiction-10-1-1024x768.png 1024w, https:\/\/arminzoghi.com\/wp-content\/uploads\/2024\/06\/Negar-une-fiction-10-1-300x225.png 300w, https:\/\/arminzoghi.com\/wp-content\/uploads\/2024\/06\/Negar-une-fiction-10-1-768x576.png 768w, https:\/\/arminzoghi.com\/wp-content\/uploads\/2024\/06\/Negar-une-fiction-10-1-1536x1152.png 1536w, https:\/\/arminzoghi.com\/wp-content\/uploads\/2024\/06\/Negar-une-fiction-10-1.png 1920w\" sizes=\"(max-width: 1024px) 100vw, 1024px\" \/><\/figure><div class=\"wp-block-media-text__content\">\nUne installation vid\u00e9o & un film\n\n\n\n<p class=\"has-text-align-left margin-right: 0px\">Le dispositif adopt\u00e9 dans l\u2019installation est celui d\u2019un d\u00e9coupage dans mes recherches pour d\u00e9velopper et \u00e9crire le sc\u00e9nario. \u00c9maill\u00e9 et sans cesse interrompu par des sc\u00e8nes documentaires qui font et feront bifurquer ce voyage dans un sens non lin\u00e9aire, permet une d\u00e9ambulation physique bas\u00e9e sur l\u2019itin\u00e9raire des recherches.<\/p>\n<\/div><\/div>\n\n\n\n<figure class=\"wp-block-embed is-type-video is-provider-vimeo wp-block-embed-vimeo wp-embed-aspect-16-9 wp-has-aspect-ratio\"><div class=\"wp-block-embed__wrapper\">\n<iframe title=\"Ne\u0301gar, une fiction.\" src=\"https:\/\/player.vimeo.com\/video\/769377376?dnt=1&app_id=122963\" width=\"500\" height=\"281\" frameborder=\"0\" allow=\"autoplay; fullscreen; picture-in-picture; clipboard-write; encrypted-media; web-share\" referrerpolicy=\"strict-origin-when-cross-origin\"><\/iframe>\n<\/div><\/figure>\n\n\n\n<figure class=\"wp-block-embed is-type-video is-provider-vimeo wp-block-embed-vimeo wp-embed-aspect-16-9 wp-has-aspect-ratio\"><div class=\"wp-block-embed__wrapper\">\n<iframe title=\"Ne\u0301gar, une fiction(2)\" src=\"https:\/\/player.vimeo.com\/video\/769385259?dnt=1&app_id=122963\" width=\"500\" height=\"281\" frameborder=\"0\" allow=\"autoplay; fullscreen; picture-in-picture; clipboard-write; encrypted-media; web-share\" referrerpolicy=\"strict-origin-when-cross-origin\"><\/iframe>\n<\/div><\/figure>\n\n\n\n<blockquote class=\"wp-block-quote has-text-align-right is-layout-flow wp-block-quote-is-layout-flow\">\n<p>io non sono pi\u00f9 felice, n\u00e9 di goderne n\u00e9 di soffrirne: <br>non sento pi\u00f9, davanti a me, tutta la vita\u2026 <\/p>\n<cite>Pier Paolo Pasolini <\/cite><\/blockquote>\n\n\n\n<p>Aujourd\u2019hui, le 26 octobre 2022, c\u2019est le quaranti\u00e8me jour de la mort de Mahsa Amini, jeune fille tu\u00e9e par la police de moeurs \u00e0 T\u00e9h\u00e9ran, celle qui a d\u00e9clench\u00e9 \u00ab Femme, Vie, Libert\u00e9 \u00bb. Cela fait quarante jours que la col\u00e8re est r\u00e9veill\u00e9e dans la soci\u00e9t\u00e9 iranienne, une population qui essaie de r\u00e9affirmer son identit\u00e9 apr\u00e8s avoir \u00e9t\u00e9 manipul\u00e9e depuis la r\u00e9volution de 1979. Ce mouvement a \u00e9t\u00e9 initi\u00e9 et lanc\u00e9 par les femmes – des journalistes, des militantes – puis accompagn\u00e9 par les hommes.<\/p>\n\n\n\n<p><strong>Le film change ainsi.<\/strong><\/p>\n\n\n\n<p>Il raconte l\u2019histoire d\u2019un homme qui donne sa voix \u00e0 une femme, cette femme veut commencer son voyage pour aller en Iran mais le mouvement \u00ab femme, vie, libert\u00e9 \u00bb \u00e9clate. Elle d\u00e9cide de continuer son voyage sans se rendre sur place. \u00ab N\u00e9gar, une fiction \u00bb \u00e9tait cens\u00e9 d\u2019\u00eatre un road-movie qui aurait questionn\u00e9 l\u2019impact pour les individus, d\u2019un patrimoine culturel transmis de gr\u00e9 ou de force. Aujourd\u2019hui il veut mettre en sc\u00e8ne l\u2019itin\u00e9raire d\u2019un impossible retour au pays natal.<\/p>\n\n\n\n<p>Le projet de film est abandonn\u00e9 par la production, pour le moment du moins.<\/p>\n\n\n\n<p><\/p>\n\n\n\n<figure class=\"wp-block-pullquote\"><blockquote><p><br><strong>L\u2019\u00e9quipe artistique et technique<\/strong><br><br><strong>Co-sc\u00e9naristes <\/strong>: Anna Cohen-Yanay, Mona Journo<br><strong>Devant la cam\u00e9ra<\/strong> : Shanti Masud, Laleh Seddigh,<br>N\u00e9gar Aalam, Kamran Diba,<br>Faryar Javaherian, M. Abbassi<br><strong>Image<\/strong> : Mohammad Reza Jahanpanah,<br>Guillaume Brault, Armin Zoghi, Aida Zoghi<br><strong>Son<\/strong> : Amirhossein Ghassemi<br><strong>Musique<\/strong> : Olivier Durteste<br><strong>Installation<\/strong> : Valery Fino, Camille Berthelin<br><strong>Productrice<\/strong> : Clarisse Tupin<br><strong>Coproduction<\/strong> : Pictanovo, Paraiso Production,<br>Espace Crois\u00e9, institut fran\u00e7ais et<br>la R\u00e9gion Hauts-de-France<\/p><\/blockquote><\/figure>\n\n\n\n<p><\/p>\n","protected":false},"excerpt":{"rendered":"<p>Responsive Image Gallery N\u00e9gar est un road-movie qui questionne l\u2019impact pour les individus, d\u2019un patrimoine culturel l\u00e9gu\u00e9. Il met en sc\u00e8ne l\u2019itin\u00e9raire d\u2019un retour au pays natal en interrogeant la cruelle binarit\u00e9 entre une inqui\u00e9tante \u00e9tranget\u00e9 et un sentiment d\u2019appartenance \u00e0 la culture iranienne. N\u00e9gar, exil\u00e9e depuis l\u2019\u00e2ge de deux ans, pr\u00e9pare une exposition sur […]<\/p>\n","protected":false},"author":1,"featured_media":0,"parent":0,"menu_order":0,"comment_status":"closed","ping_status":"closed","template":"","meta":{"footnotes":""},"class_list":["post-698","page","type-page","status-publish","hentry"],"_links":{"self":[{"href":"https:\/\/arminzoghi.com\/index.php\/wp-json\/wp\/v2\/pages\/698","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/arminzoghi.com\/index.php\/wp-json\/wp\/v2\/pages"}],"about":[{"href":"https:\/\/arminzoghi.com\/index.php\/wp-json\/wp\/v2\/types\/page"}],"author":[{"embeddable":true,"href":"https:\/\/arminzoghi.com\/index.php\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/arminzoghi.com\/index.php\/wp-json\/wp\/v2\/comments?post=698"}],"version-history":[{"count":62,"href":"https:\/\/arminzoghi.com\/index.php\/wp-json\/wp\/v2\/pages\/698\/revisions"}],"predecessor-version":[{"id":1253,"href":"https:\/\/arminzoghi.com\/index.php\/wp-json\/wp\/v2\/pages\/698\/revisions\/1253"}],"wp:attachment":[{"href":"https:\/\/arminzoghi.com\/index.php\/wp-json\/wp\/v2\/media?parent=698"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}