{"id":131,"date":"2024-04-18T09:40:53","date_gmt":"2024-04-18T07:40:53","guid":{"rendered":"https:\/\/arminzoghi.com\/?page_id=131"},"modified":"2026-03-16T10:11:22","modified_gmt":"2026-03-16T09:11:22","slug":"bio-cv","status":"publish","type":"page","link":"https:\/\/arminzoghi.com\/index.php\/bio-cv\/","title":{"rendered":"biographie"},"content":{"rendered":"\n<p><\/p>\n\n\n\n<p>Armin Zoghi (1979) Form\u00e9 aux arts-plastiques \u00e0 T\u00e9h\u00e9ran et puis \u00e0 Strasbourg, est un artiste franco-iranien qui travaille particuli\u00e8rement sur les questions du point de vue et de la place de la m\u00e9moire dans la construction de l\u2019identit\u00e9 de l&rsquo;individu. Comment les fondements culturels d\u2019une soci\u00e9t\u00e9 influencent-ils la perception et l\u2019interpr\u00e9tation d\u2019images ? <\/p>\n\n\n\n<ul class=\"wp-block-list\">\n<li><strong>Filmographie &#8211; vid\u00e9o<\/strong><\/li>\n<\/ul>\n\n\n\n<p><\/p>\n\n\n\n<p><strong>Cher administrateur<\/strong> \u2013 France, 15 min \u2013 2023 <br><strong>N\u00c9GAR, une fiction<\/strong> \u2013 Acte 1 &amp; 2, 40 min \u2013 2021 <br><strong>Banana Lab. An Inland Voyage<\/strong> \u2013 France, 28 min \u2013 2018 <br><strong>Single pulse of subjectivity I<\/strong> \u2013 Iran-France, 35 min \u2013 2017 <br><strong>House Man<\/strong> \u2013 France, 6 min \u2013 2015 <br><strong>Sans-titre<\/strong> \u2013 France, 8 min \u2013 2011 <br><strong>Rah-Ro (corridor)<\/strong> \u2013 Installation vid\u00e9o, France, 10 min \u2013 2008 <br><strong>Passerelle de l\u2019Europe<\/strong> \u2013 France, 5 min \u2013 2007 <br><strong>Be Like Us<\/strong> \u2013 France, 7 min \u2013 2005<\/p>\n\n\n\n<ul class=\"wp-block-list\">\n<li><strong>Prix, bourses, nominations<\/strong><\/li>\n<\/ul>\n\n\n\n<p><strong>Bourse de recherche filmique en centre p\u00e9nitentiaire<\/strong> \u2013 Le Grand Mix, DRAC \u2013 2022 <br><strong>Bourse de production artistique<\/strong> \u2013 Institut fran\u00e7ais + R\u00e9gion Hauts-de-France \u2013 2019 <br><strong>Fonds \u00c9mergence<\/strong> \u2013 Pictanovo, Images en Hauts-de-France \u2013 2019 <br><strong>Bourse de voyage<\/strong> \u2013 Minist\u00e8re des Affaires \u00e9trang\u00e8res (Ambassade de France en Iran) \u2013 2017 <br><strong>Bourse de cr\u00e9ation<\/strong> \u2013 DRAC Hauts-de-France \u2013 2016 <br><strong>Bourse de cr\u00e9ation<\/strong> \u2013 Minist\u00e8re des Affaires \u00e9trang\u00e8res (Ambassade de France en Iran) \u2013 2015 <br><strong>Bourse de cr\u00e9ation Arts plastiques<\/strong> \u2013 R\u00e9gion Hauts-de-France \u2013 2010 <br><strong>R\u00e9sidence et bourse de cr\u00e9ation<\/strong> \u2013 Espace d\u2019art contemporain, HEC, Paris (France) \u2013 2010 <br><strong>R\u00e9sidence artistique<\/strong> \u2013 E-WERK Freiburg e.V., Freiburg (Allemagne) \u2013 2008 <br><strong>Prix IBDA\u2019A<\/strong> \u2013 Duba\u00ef (\u00c9mirats Arabes Unis) \u2013 2002<\/p>\n\n\n\n<ul class=\"wp-block-list\">\n<li><strong>Expositions<\/strong><\/li>\n<\/ul>\n\n\n\n<p><strong>N\u00c9GAR, une fiction<\/strong> \u2013 Acte 1, Centre d\u2019art Espace Crois\u00e9, Roubaix (France) \u2013 2021 <br><strong>Ici le monde<\/strong> \u2013 Institut du Monde Arabe, Tourcoing (France) \u2013 2020 <br><strong>Migration<\/strong> \u2013 VIDEOBAR, Galerie de l\u2019art du temps, VIDEOFORMES, Clermont-Ferrand (France) \u2013 2018 <br><strong>Back \/ Forward<\/strong> \u2013 Centre d\u2019art Espace Crois\u00e9, Roubaix (France) \u2013 2018 <br><strong>Festival vid\u00e9o TADAEX<\/strong> \u2013 S\u00e9lection fran\u00e7aise : Eric Deneuville et Gabriel Soucheyre, T\u00e9h\u00e9ran (Iran) \u2013 2017 <br><strong>Single pulse of subjectivity I<\/strong> \u2013 Centre d\u2019art contemporain Espace Crois\u00e9, Roubaix (France) \u2013 2017 <br><strong>Entre les deux, la confection id\u00e9ale<\/strong> \u2013 Commissariat : Fabien Marquez, Tourcoing (France) \u2013 2016 <br><strong>Ice cream, you scream<\/strong> \u2013 Sur l\u2019invitation de Lucie Orbie, Tourcoing (France) \u2013 2015 <br><strong>\u00d4 voleurs<\/strong> \u2013 Kaysersguet, Strasbourg (France) \u2013 2013 <br><strong>PROYECTOR, International Videoart Festival<\/strong> \u2013 Commissaire d\u2019exposition : Mario Guti\u00e9rrez, Coimbra (Portugal) &amp; Rennes (France) \u2013 2013 <br><strong>Festival International Loopingstar<\/strong> \u2013 Festival d\u2019art vid\u00e9o, Allemagne &amp; Forbach (France) \u2013 2012 <br><strong>\u00c0 6<\/strong> \u2013 Galerie T66, Freiburg (Allemagne) \u2013 2011 <br><strong>Nature et paysage<\/strong> \u2013 Casablanca (Maroc) \u2013 2011 <br><strong>Espace d\u2019art contemporain<\/strong> \u2013 HEC, Paris (France) \u2013 2010 <br><strong>Festival Proyector 09<\/strong> \u2013 Madrid (Espagne) \u2013 2009 <br><strong>Loop Barcelona 09<\/strong> \u2013 Barcelone (Espagne) \u2013 2009 <br><strong>Le Syndicat Potentiel<\/strong> \u2013 Strasbourg (France) \u2013 2009 <br><strong>E-WERK Freiburg e.v<\/strong> \u2013 Freiburg (Allemagne) \u2013 2008 <br><strong>Kaveh Golestan awards<\/strong> \u2013 Khane Honarmandan, T\u00e9h\u00e9ran (Iran) \u2013 2004 <br><strong>Galerie ASAR<\/strong> \u2013 T\u00e9h\u00e9ran (Iran) \u2013 2004 <br><strong>Biennale de Photographie<\/strong> \u2013 Mus\u00e9e d\u2019art contemporain, T\u00e9h\u00e9ran (Iran) \u2013 2004 <br><strong>Galerie Tarahan Azad<\/strong> \u2013 T\u00e9h\u00e9ran (Iran) \u2013 2003 <br><strong>Galerie MBC<\/strong> \u2013 Duba\u00ef (\u00c9mirats Arabes Unis) \u2013 2002<\/p>\n\n\n\n<ul class=\"wp-block-list\">\n<li><strong>Publications<\/strong><\/li>\n<\/ul>\n\n\n\n<p><strong>FACETTES<\/strong> \u2013 Revue annuelle d\u2019art contemporain franco-belge <br><strong>Quinze ans d\u2019art \u00e0 HEC<\/strong> \u2013 Publication collective <br><strong>POLY<\/strong> \u2013 Magazine culturel mensuel, entretien <br><strong>DVD Project<\/strong> \u2013 \u00c9dition internationale de vid\u00e9os d\u2019artistes en s\u00e9rie limit\u00e9e <br><strong>PRIVATE<\/strong> \u2013 Revue artistique, Italie <br><strong>Les photographies d\u2019Armin Zoghi<\/strong> \u2013 Monographie, Iran <br><strong>1re et 2e Biennale d\u2019art<\/strong> \u2013 \u00c9dition du Mus\u00e9e d\u2019art contemporain de T\u00e9h\u00e9ran<\/p>\n\n\n\n<ul class=\"wp-block-list\">\n<li><strong>Enseignement<\/strong><\/li>\n<\/ul>\n\n\n\n<p><\/p>\n\n\n\n<p><strong>Enseignement vid\u00e9o et installation<\/strong> \u2013 \u00c9cole d\u2019art du Calaisis \u2013 Le Concept (depuis 2017) <br><strong>Enseignement \u00ab R\u00e9alisation et tournage \u00bb<\/strong> \u2013 \u00c9cole d\u2019art Lille \u2013 MJM (depuis 2019) <br><strong><strong>Enseignement<\/strong><\/strong> <strong>a<strong>rtistique<\/strong><\/strong> \u2013 \u00c9cole Nationale Sup\u00e9rieure d\u2019Art de Dunkerque \u2013 Tourcoing (ES\u00c4) (2017\u20132018)<\/p>\n\n\n\n<ul class=\"wp-block-list\">\n<li><strong>Autres<\/strong><\/li>\n<\/ul>\n\n\n\n<p><strong>R\u00e9alisation de clip \u2013 \u00ab Off The Mark \u00bb<\/strong> Temps Calme, Synesthesic Production \u2013 2022&nbsp;<br><strong>Montage du film \u2013 \u00ab L\u2019\u00e9chapp\u00e9e \u00bb<\/strong> Film de Justine Pluvinage, Paraiso Production, Paris \u2013 2021<br><strong>R\u00e9alisation de clip \u2013 \u00ab Invisible Love \u00bb<\/strong> The Breakfast Club \u2013 2019<br><strong>Montage du film \u2013 \u00ab Amazones \u00bb<\/strong> Film de Justine Pluvinage \u2013 2017&nbsp;<br><strong>R\u00e9alisation de web-s\u00e9rie \u2013 \u00ab Au secours je suis artiste \u00bb<\/strong> Projet de Mathilde Ehret-Zoghi \u2013 2016\u20132022&nbsp;<br><strong>Conf\u00e9rences, colloques et s\u00e9minaires<\/strong> \u00e0 l\u2019\u00c9cole Sup\u00e9rieure d\u2019art de Lorraine, universit\u00e9 Lille3, HEAR, Kunstverein de Freiburg, New Media Society, Vecteur, Facult\u00e9 d\u2019Architecture Mons &#8211; France, Allemagne, Belgique, Iran<br><strong>Vice-pr\u00e9sident \u2013 Versant Est<\/strong> &#8211; R\u00e9seau d\u2019art contemporain du Grand Est, France \u2013 2013\u20132014<br><strong>Cofondateur (<\/strong>avec<strong> Florian Tiedje) \u2013 Galerie d\u2019art contemporain \u00ab Schaufenster \u00bb<\/strong> S\u00e9lestat, France \u2013 2009\u20132015<\/p>\n\n\n\n<ul class=\"wp-block-list\">\n<li><strong>Etudes<\/strong><\/li>\n<\/ul>\n\n\n\n<p><strong>Dipl\u00f4me National Sup\u00e9rieur d\u2019Expression Plastique (DNSEP)<\/strong> HEAR, Strasbourg (France) \u2013 2008<br><strong>Dipl\u00f4me National d\u2019Arts Plastiques (DNAP)<\/strong> HEAR, Strasbourg (France) \u2013 2006<br><strong>Master d\u2019Art Visuel<\/strong> Universit\u00e9 Marc Bloch, Strasbourg (France) \u2013 2006<br><strong>Master en Photographie<\/strong> Universit\u00e9 d\u2019Art &amp; Architecture, T\u00e9h\u00e9ran (Iran) \u2013 2003<\/p>\n","protected":false},"excerpt":{"rendered":"<p>Armin Zoghi (1979) Form\u00e9 aux arts-plastiques \u00e0 T\u00e9h\u00e9ran et puis \u00e0 Strasbourg, est un artiste franco-iranien qui travaille particuli\u00e8rement sur les questions du point de vue et de la place de la m\u00e9moire dans la construction de l\u2019identit\u00e9 de l&rsquo;individu. Comment les fondements culturels d\u2019une soci\u00e9t\u00e9 influencent-ils la perception et l\u2019interpr\u00e9tation d\u2019images ? Cher administrateur [&hellip;]<\/p>\n","protected":false},"author":1,"featured_media":0,"parent":0,"menu_order":0,"comment_status":"closed","ping_status":"closed","template":"","meta":{"footnotes":""},"class_list":["post-131","page","type-page","status-publish","hentry"],"_links":{"self":[{"href":"https:\/\/arminzoghi.com\/index.php\/wp-json\/wp\/v2\/pages\/131","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/arminzoghi.com\/index.php\/wp-json\/wp\/v2\/pages"}],"about":[{"href":"https:\/\/arminzoghi.com\/index.php\/wp-json\/wp\/v2\/types\/page"}],"author":[{"embeddable":true,"href":"https:\/\/arminzoghi.com\/index.php\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/arminzoghi.com\/index.php\/wp-json\/wp\/v2\/comments?post=131"}],"version-history":[{"count":35,"href":"https:\/\/arminzoghi.com\/index.php\/wp-json\/wp\/v2\/pages\/131\/revisions"}],"predecessor-version":[{"id":1274,"href":"https:\/\/arminzoghi.com\/index.php\/wp-json\/wp\/v2\/pages\/131\/revisions\/1274"}],"wp:attachment":[{"href":"https:\/\/arminzoghi.com\/index.php\/wp-json\/wp\/v2\/media?parent=131"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}